The Chùa Đót Tiên

Canopy of Dot Tien entrance. The Đót Tiên Pagoda is well protected from invasions of foreign visitors. It took me 10 years to discover this "Site of historic interest" and it is only six kms from our house. The excuse for such slowness is its location. The town of Hải Thanh is crammed into a peninsular formed between a river estuary and the sea which is some three to four hundred meters wide and two kilometres long. It ends in a bulge formed by a small hill on which sits the Đót Tiên Pagoda. The road that runs like a spine through the town narrows to a lane and... The canopy over the entrance gate to the Đót Tiên Pagoda, the town of Hải Bình is across the river

Sign for the pagoda on the lane below.
...having reached the steps up to the pagoda, it is not wide enough for cars. Here deep in an unvisited community, where only Vietnamese is spoken or written, there is the large sign and steps which disappear up behind the houses. The main pagoda building lies up a couple of hundred steps and its grounds rise on up the hill to the flatter area on which statues of Buddhist sages stand. The views are rewarding, but should you discover the Đót Tiên Pagoda, wait for the winter before ascending, it is hot work. The above sign might be translated: "Dot Tien Pagoda. Historic site of culture and beauty". Below: The sign is at the bottom of the steps to the pagoda; these rise on the left, while the lane goes on to the right Steps from the lane up to the pagoda. The lane with the steps going off. Looking back down the steps at two women descending. Looking back to the stair foot... Looking up at the flights of steps ahead. ...and looking ahead to the flights... The entrance gate at the top of the steps. of steps. Above, the entrance gate View between houses along the river front. Climbing the hill, the need to stop and admire the view becomes imperative, fortunately the confluence of the Lạch Bạng and Kênh Than rivers below justifies a stop View up the river to its wide confluence. A stop which can be repeated at the top of the steps when turning and looking back down through the gates,
gives this view
Looking down the wide steep upper stair above the pagoda with a statue at the bottom. Having passed through the entrance gate and courtyard of the pagoda, the steps continue beyond, now in grand form. In the picture above the roof of the pagoda is directly beyond the standing figure at the bottom of the steps. Below: To the left is the same figure, but closer, and below centre much closer. The picture to the right is of the row of statues that are behind the photographer on the last shots, and stand on one side of a square Rear of statue looking over pagoda roof. Statue back and sun symbol. Row of five Buddhist figures with offerings at their feet. Composite of the five standing figures on the north of the square. And here are the line of statues seen in the image just above to the right- nestled up a little here, their actual plinths are well separated. Each has a supply of water and a container of sand for you to plant your incense stick. This line is along one side of the square, they face across to a similar line of five statues The Buddha and child at the head of the open air square with the other statues. At the head of the square is this seated Buddha and a child with raised arm like the one two pictures down Looking over the square towards Hai. This picture is looking down on the square from higher up the hill, you may just be able to see the statues on the two sides. With the seated Buddha in the foreground looking towards the top of the steps and over to Hải Bỉnh across the river Left end of the pagoda courtyard. Returning down to the pagoda. The left of the courtyard... Right inner wall of the pagoda courtyard. ...and the inner wall to the right of the courtyard area Child and adult figure on alter in the courtyard. Two of the figures at the centre of the altar in the picture above Central part of main room looking into inner shrine room. Looking into an inner shrine room, the mirror is in the next picture Main inside room. Looking across the outer shrine room, the mirror is now side on Inner shrine with many figures. The small red sign by the fruit offerings (Tam Bảo) announces the Trinity of the three jewels, in which Buddhists of the Mahayana tradition take their refuge. The overhead sign says the pagoda, with its alternative name, is a member of the Vietnamese Buddhist Association. Chinese plaques like these are common in Vietnam, but they are mostly as intelligible to the average Vietnamese person as Latin inscriptions would be to us One of the Guardian gods in a side shrine. The main seated gold coloured Buddha. The central Buddha of the main shrine and in the two side shrines two 'Guardian' gods - as the notice informs us The other Guardian god in the other side shrine. Small altar with statue and large bell beside it. Bronze bell in side chapel Looking in through a doorway towards the inner shrine. The view in from the courtyard... Looking out into the courtyard with woman trailing brush. ...and the view out to the courtyard Looking across the end altar of the courtyard with houses just visible in the distance. A view out of the main room past the altar on the courtyard, with the child figure seen in a picture above, and the town's houses beyond Trailers... Central road with householders relaxing. The next page of this section takes you down from the Đót Tiên pagoda on the hill, to the tight lanes and passages of the town of Hải Thang below. The Cairnholy monument with its stone pointing at a daylight moon. The next page of the Mosaic Section is headed 'Finger Pointing to the Moon'.
Or go to the contents of the Mosaic Section.
Saturday 24th October 2020 Murphy on duty to this site

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